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Good Masters! Sweet Ladies!

Voices from a Medieval Village

Audiobook
2 of 2 copies available
2 of 2 copies available
Laura Amy Schlitz wrote the Newbery Medal winner Good Masters! Sweet Ladies! for the students at the school where she is a librarian. The 22 monologues introduce readers to everyone in a medieval village, from the town half-wit, to Nelly the Sniggler, to the Lord's daughter.
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    • AudioFile Magazine
      Life in a medieval village comes alive in Schlitz's monologues and dialogues. They were originally written for students at her school, who were studying England of 1255 and who all wanted to have parts in a school production about the period. Listeners will hear about hunting wild boar, blowing glass, suffering the ignominy of plain looks, crop and field rotation, the trickery of the jester, and the despised miller. Christina Moore sets the stage, and the full cast brings individuality to each personage. Attention to feelings and mood is evident. These medieval young people are genuine in their excitement and their concerns. Through characterization, gentle British accents, and accompanying period music, the listener is treated to theater of the mind with this 2008 Newbery Medal winner. A.R. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      Starred review from August 27, 2007
      Schlitz (The Hero Schliemann
      ) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer)
      stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills (“Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg”); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her “starving poor took me up to drown in a bucket of water.” (He relents at the sight of her “wee fingers” grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up.

Formats

  • OverDrive Listen audiobook

Languages

  • English

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